Delicatessen ist ein französischer Spielfilm von Jean-Pierre Jeunet und Marc Caro aus dem Jahr Der Film ist das Spielfilmdebüt der beiden Regisseure. gallery-samagra.com - Kaufen Sie Delicatessen () () günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. Originaltitel: Delicatessen Regie: Jean-Pierre Jeunet, Marc Caro Drehbuch: Gilles Adrien, Jean-Pierre Jeunet, Marc Caro Kamera: Darius.
total klassischOriginaltitel: Delicatessen Regie: Jean-Pierre Jeunet, Marc Caro Drehbuch: Gilles Adrien, Jean-Pierre Jeunet, Marc Caro Kamera: Darius. Delicatessen Film - Kritik Mit einer durchweg hervorragenden Leistung aller Beteiligten, besonders aber des Protagonisten Louison (Dominique Pinon). Delicatessen - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | gallery-samagra.com
Delicatessen 1991 Synopsis et détails VideoDelicatessen (1991) Trailer Last Name. Where the Americans will put serious Chris Brown Dance in silly situations, the French put silly characters in serious situations. It is the sheer surrealistic imagination that Jeunet Tv Serien Highlights Caro bring to their films that prevent them being unremittingly bleak or simple morality tales. France portal s portal Film portal. View All Quotes. Harriet Waugh. JBLOSS 25 June Episode 1 Star Wars Devil May Care. A Anne Mit Den Roten Haare favourite was a Schukurama who grows frogs and snails in his apartment. Full Cast and Crew. These Sundance Film Festival headliners became household names thanks to some unforgettable roles early in their careers. Gimly M Super Reviewer. Forgot your password? A word of warning about the video release- the subtitles appear to have been written be a couple of Frenchmen who really ought to have concentrated harder in their English classes at school. The story really gets going when an ex-clown turns up Wdr Mediathek Die Jungen ärzte the shop, wanting the handyman's job, which has Duane Byrge. Get a sneak peek of the new version of this page. Or they just don't know what they are doing. Even if "Delicatessen" had Youtube Dokumentation Deutsch recommended to me I doubt I'd have seen it in its original release. News My Account SIGN UP LOG IN.
However, the situation is given an added twist when we learn that all the lodgers are aware of this; a woman who is sold a joint of mother sheds a couple of stifled tears and mutters she would have liked to have said goodbye.
Similarly, the butcher is most apologetic when he accidentally chops off the foot of one of his clients who has paid his rent in full.
Into this hellish world is placed someone with his moral values relatively intact. In this case, it is a circus performer played by the marvellously rubber-faced Dominique Pinon.
A less engaging actor might have made this character seem two-dimensional, as he appears to have no faults whatsoever except a set of over-mobile lips.
He enthrals the lodgers' children with his games, is immensely chivalrous to the butcher's daughter and plays the musical saw.
Finally, an old edition of his act is broadcast on the flickering black-and-white television, and even the most bloodthirsty lodgers are amazed and delighted.
The butcher's jealousy is roused; Good and Innocence is forced to fight Evil and Hatred. As such, the plot is relatively straightforward.
It is the sheer surrealistic imagination that Jeunet and Caro bring to their films that prevent them being unremittingly bleak or simple morality tales.
They display a brilliant sense of musical timing- the whole building frequently becomes an orchestra of creaking bed-springs, croaking frogs, and crackling radios; above all this soars a love-duet of a cello and a musical saw.
With the exception of a single television remote control, nothing here would be out of place in in a exhibition of 40s and 50s design.
A word of warning about the video release- the subtitles appear to have been written be a couple of Frenchmen who really ought to have concentrated harder in their English classes at school.
Apart from that, I wholeheartedly recommend this joyously grotesque film. In the late 70s, french director Jean-Pierre Jeunet and designer Marc Caro met and found they shared a lot of interests in the visual arts, their friendship soon became an artistic team that would spent the whole 80s making short films where the duo was able to explore and master the cinema language, perfecting their storytelling abilities and visual design skills, preparing themselves to make a career in film-making.
Their efforts were crowned in , when they were finally able to take their craft to a full feature length film, in the project that would become their breakthrough in the film industry and the proper beginning of their careers as filmmakers: the post-apocalyptic comedy "Delicatessen".
The world of "Delicatessen" is a dark bleak France where there is apparently no law and food is incredibly sparse and is now used as currency.
In this post-apocalyptic world, the residents of an apartment building in the middle of nowhere have found a solution to the hunger thanks to their landlord, the butcher Clapet Jean-Claude Dreyfus , who from time to time kills the building's handyman to feed the bizarre group of tenants.
One day, former clown Louison Dominique Pinon arrives to the building and gets the handyman position, but unfortunately for Clapet and the other tenants, the butcher's daughter Julie Marie-Laure Dougnac has fallen in love with Louison, and will do whatever is necessary to stop the madness of the delicatessen.
And surprisingly it works, as while the story is anything but complex, the assortment of strange yet very human characters that populate the world of "Delicatessen" truly become the movie's soul.
And not only the main characters, as every single one of them no matter how small the role is is highly detailed and serves a specific function as if the whole building was one of the odd machines that still work in this post-apocalyptic portrait of France.
Visually, the film is simply sublime. Since the directors decided to divide responsibilities, Marc Caro took full control of the production design and the artistic elements of the movie, so with this freedom Caro's inventive artistic vision reaches new heights creating a movie that could be described as a moving canvas.
Highly atmospheric, the french duo takes the cinematography by Darius Khondji to the next level mixing techniques and showing a whole range of influences that go from German Expressionism to 40s modernism, resulting in one of the most beautiful looking movies ever done.
As written above, the characters are the film's soul, and the ensemble of actors playing them really made a terrific job in the film. Dominique Pinon who would become one of Jeunet's regular collaborators delivers a subtle and charming performance as the ex-clown Louison.
He is very believable in the role, and gives the character a very human touch, essential for the kind of character he is playing. The same can be said of Marie-Laure Dougnac, who plays Louison's love interest, Julie, one of the "more normal" characters in the movie.
Jean-Claude Dreyfus as Clapet the Butcher is simply delightful as the story's "villian", and basically every member of the cast delivers an unforgettable performance no matter how long or short is their screen time Silvie Laguna for example, is really wonderful.
Unlike their later films, "Delicatessen" may not be for everyone, as it's mix of black comedy and surreal fantasy may seem at times too close to absurd to be enjoyable.
However, those with a taste for the bizarre will find a great movie in this French comedy. If you think the cannibal movie subgenre has been milked dry This one will have you from the opening credits.
It's set in a crumbling apartment building in 21st century, post-apocalyptic Paris where food is at a minimum, grains are used as money and the butcher downstairs runs a black-market deli providing clientel with what seems to be the only meat product available, and it ain't chicken.
Dominique Pinon is an ex-circus clown who answers a personal ad doing odd jobs there and encounters assorted weirdos while being targeted as the main course.
There's a noncomformist who eats snails and frogs, a band of grimy cave-dwelling looters, an unhinged woman whose botched suicide attempts are comic highlights and an amazing musical sequence featuring a cello, creaky bed springs, machinery, drills and other noises combining to create a symphony of sounds.
The oppressive atmosphere and murky brown color schemes could have easily turned this into a dreary disaster, but the directors keep it offbeat, surprising and clever throughout, and don't miss their chance to throw in some inventive black comedy.
The One 20 February I watched this movie on dirty heads, so the picture was continually jumping. This disappointed the people I was watching it with, so they left.
This did not stop me, however, from watching and, in turn, loving this beatiful piece of cinematic masterpiece. I am a huge fan of any movie or thing that is off-centre, and not-quite-right.
Jeunet and Caro have made one of the best movies ever! While certainly this film will not be everyone's cup of tea, I cannot recall anyone I know seeing it and not being delighted.
No other movie I've seen so far could top this one for its combination of wittiness, dark humor, love for detail and collection of regular people holding a mirror up to each and everyone of us, showing us how strange we really are.
Indeed this movie will not be constrained by a classification as romance, comedy or science fiction or horror. This movie is definitely off-beat and I definitely love it!
Dockelektro 23 July Clever ideas and good notion of filmmaking are at the core of this movie, whose storyline is the smallest asset.
But you won't really care when you see it, because even though the story isn't really elaborate, what you have here is one of the most original movies you'll ever get your eyes on.
The setting is perfect, with no historic or geographic references, only an estranged building, which doesn't have a single straight normal tenant.
The result is a magnificent work of actors, cinematography and set dressing, that makes the most of visual resources for a movie.
Magnificent, and truly original. Almost from the start, with the closeups of fat faces in very strange expressions, I sensed that I had seen the style elsewhere.
Then I realized that this movie reminded me of Amelie. Sure enough, it is the same director although this was made about a decade earlier.
Amelie is one of my favorite movies; not just for the story but also for the unique imagery. This movie shares that unique visual style but in a more grotesque fashion.
Faces are shown in closeup that border on nightmarish. Colors and atmosphere meld to form a bleak, murky, misty and dreary filmscape.
It is at once charming and horrifying. One of my favorite scenes is when Louison Dominique Pinon is blowing bubbles in the hallway.
The two mischievous boys or "young rascals" played by Boban Janevski and Mikael Todde are immediately entranced and Louison is spared from any future harassment from them.
Indeed, at one point they save his life with their mischief on others. Another of my favorite scenes is when Louison and Juliet Marie-Loure Dougnat are playing a duet, she on the cello, he on the saw?!
Together with the music it was a magic moment. In fact, whenever Louison is shown clowning around, the music is soft and whimsical.
Another wonderful moment is when Louison and the Butcher's lover Karin Viard are unintentionally playing a song from squeaky mattress springs.
In another scene, she and Louison are dancing in his apartment. It looks well enough until you notice that Louison has 3 legs giving new meaning to having 2 left feet.
These delightful moments are a stark contrast to the rest of the film. I guess I should expound on what the movie is about.
Louison is an out of work clown whose partner has been eaten. He tries to get a job as a handyman for a butcher Jean-Claude Dreyfus who is also a tenement owner.
The butcher sizes him up and is not sure he will do. He thinks Louison is a bit too scrawny. However, Louison's luggage is all over the street so he gets the job just to clear the way.
It would have been better had he not because in an earlier scene, you see someone hiding in a trash can and then getting butchered as the screen goes black.
That someone was the last handyman. This movie is set in a post apocalyptic future where food is scarce and indeed, grain has become currency.
The world has become divided between those that live underground and still use grain as food instead of currency and those that hoard grain and eat I don't think I've ever seen a blacker comedy than this but if you enjoyed Amelie, I think you will also like this movie.
MrVibrating 8 June This visually impressive and imaginative movie is probably Jeunet's best. Here he and his usual team create what they do best, namely weirdness.
Take Amelie, remove everything that people label "so French" and turn it inside out. That's the feeling of Delicatessen. The plot is goofy but works very well in the movie and has so many little twists and turns it never lets go of your attention.
The quirky for lack of a better word characters and the great dark humour is not for everyone, but if you can appreciate it then you won't be disappointed.
Release date. Running time. Dominique Pinon as Louison Marie-Laure Dougnac as Julie Clapet Jean-Claude Dreyfus as Clapet Karin Viard as Mademoiselle Plusse Ticky Holgado as Marcel Tapioca Edith Ker as Grandmother Rufus as Robert Kube Jacques Mathou as Roger Howard Vernon as Frog Man Marc Caro as Fox.
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Harriet Waugh. If we take the idea of a romantic comedy set in the ruins of a dead society and dressed up with cannibal horror seriously at all, it's hard to see how it could turn out better than this.
Tim Brayton. The movie, take it from me, is a lot more fun to sit through than to describe in a single sentence. Stephen Hunter. David Parkinson.
Jean-Pierre Jeunet and Marc Caro made a brilliant feature film debut with this bizarre and visually stunning comedy about cannibalism.
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Create your account Already have an account? Email Address. Real Quick. Grandmother Rufus Robert Kube Jacques Mathou Roger Howard Vernon Frog Man Chick Ortega Postman Silvie Laguna Edit Storyline Centered on a post-apocalyptic society where food is scarce and used as currency.
Edit Did You Know? Trivia Included among the " Movies You Must See Before You Die", edited by Steven Schneider. Since it would not have exploded until he attempted to fire it, the hammer should already be down at that point.
Quotes Louison : This is a job for the Australian! Crazy Credits In the opening credits, crew members' names appear on objects that the camera tracks across: the director of photography's name appears on a camera, the composer's name on a broken 12" record, etc.
User Reviews A sublime fusion of sickening grotesquerie and sentimental clowning. Was this review helpful to you?
Yes No Report this. Frequently Asked Questions Q: Odd Instrument? Edit Details Country: France. Language: French.
Filming Locations: France. Budget: FRF24,, estimated. Runtime: 99 min. Sound Mix: Dolby. Color: Color. Edit page. Clear your history.
Tried to Escape.