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Diarios de motocicleta / The motorcycle diariesDie Reise des jungen Che (Originaltitel: Diarios de motocicleta) ist ein Spielfilm des brasilianischen Regisseurs Walter Salles aus dem Jahr Das mehrfach. Diarios de motocicleta / The motorcycle diaries. Analyse narrativer Merkmale - Romanistik - Hausarbeit - ebook 10,99 € - GRIN. Bücher bei Weltbild: Jetzt The Motorcycle Diaries von Ernesto Che Guevara versandkostenfrei online kaufen bei Weltbild, Ihrem Bücher-Spezialisten!
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Among the film's few detractors was Roger Ebert of the Chicago Sun-Times , who described the film's positive reviews as "a matter of political correctness , I think; it is uncool to be against Che Guevara.
We understand that Ernesto and Alberto are friends, but that's about all we find out about them; they develop none of the complexities of other on-the-road couples Nothing is startling or poetic.
Anthony Daniels, an outspoken critic of Guevara's, argued that the film helps to continue his wrongful glorification, noting "The film is thus the cinematic equivalent of the Che Guevara T-shirt; it is morally monstrous and emotionally trivial.
Online review aggregator Metacritic gives the film a score of 75 out of based on 37 reviews, indicating "generally favorable reviews".
The website's critical consensus reads, " The Motorcycle Diaries is heartfelt and profound in its rendering of the formative experiences that turn Ernesto "Che" Guevara into a famous revolutionary.
From Wikipedia, the free encyclopedia. For the Malayalam film, see Motorcycle Diaries film. Theatrical release poster. FilmFour BD Cine Wildwood Enterprises, Inc.
Release date. Running time. Every generation needs a journey story; every generation needs a story about what it is to be transformed by geography, what it is to be transformed by encounters with cultures and people that are alien from yourself, and you know that age group 15 to 25, that's the perfect generation to get on a motorcycle, to hit the road, to put on your backpack and just go out.
Main article: The Motorcycle Diaries soundtrack. British Board of Film Classification. Retrieved 18 March The New York Times, Arts Section, 12 September Last accessed: 23 March The Observer.
Retrieved 14 April Archived from the original on 26 October Retrieved 26 November Village Voice.
The New York Times, film review, 24 September Chicago Sun-Times, film review, 1 October The New Criterion. Retrieved 24 April CBS Interactive.
Unable to get a boat to Easter Island as they intended, they headed north, where Guevara's political consciousness began to stir as he and Granado moved into mining country.
While getting a tour of the mine he asked how many men died in its creation. At the time it was run by U.
In reference to the oppression against the Communist party in Chile, which at the time was outlawed, Guevara said: "It's a great pity, that they repress people like this.
Apart from whether collectivism , the 'communist vermin', is a danger to decent life, the communism gnawing at his entrails was no more than a natural longing for something better, a protest against persistent hunger transformed into a love for this strange doctrine , whose essence he could never grasp but whose translation, 'bread for the poor', was something he understood and, more importantly, that filled him with hope.
Needless to say, workers at Chuquicamata were in a living Hell. The trip would not have been as useful and beneficial as it was, as a personal experience, if the motorcycle had held out.
This gave us a chance to become familiar with the people. We worked, took on jobs to make money and continue traveling. We hauled merchandise, carried sacks, worked as sailors, cops and doctors.
In Peru , Guevara was impressed by the old Inca civilization , forced to ride in trucks with Indians and animals after The Mighty One broke down.
As a result, he began to develop a fraternity with the indigenous campesinos. In March they both arrived at the Peruvian Tacna.
In May they arrived in Lima , Peru and during this time Guevara met doctor Hugo Pesce , a Peruvian scientist, director of the national leprosy program, and an important local Marxist.
They discussed several nights until the early morning and years later Che identified these conversations as being very important for his evolution in attitude towards life and society.
In May, Guevara and Granado left for the leper colony of San Pablo in the Peruvian Amazon Rainforest , arriving there in June.
During his stay Guevara complained about the miserable way the people and sick of that region had to live.
Guevara also swam once from the side of the Amazon River where the doctors stayed, to the other side of the river where the leper patients lived, a considerable distance of 4 kilometres 2.
He describes how there were no clothes, almost no food, and no medication. However, Guevara was moved by his time with the lepers , remarking that.
All the love and caring just consist on coming to them without gloves and medical attire, shaking their hands as any other neighbor and sitting together for a chat about anything or playing football with them.
After giving consultations and treating patients for a few weeks, Guevara and Granado left aboard the Mambo-Tango raft shown for Leticia, Colombia , via the Amazon River.
He also goes on to describe the atmosphere as "tense" and "suffocating", even hypothesizing that "a revolution may be brewing". Guevara was correct in his prognostication, as a military coup in would take place, bringing General Gustavo Rojas to power.
However, the civil war the country was experiencing never went away; rather, tensions were brewing and were leading to an escalation in various regions in Colombia which led to the Colombian civil war.
Later that month, Guevara arrived in Caracas , Venezuela, and from there decided to return to Buenos Aires to finish his studies in medical science.
However, prior to his return, he travelled by cargo plane to Miami , where the airplane's technical problems delayed him one month.
To survive, he worked as a waiter and washed dishes in a Miami bar. Although he admitted throughout that as a vagabond traveler he could only see things at surface level, he did attempt to delve beneath the sheen of the places he visited.
Back in Cuba, progressively disappointed with the bearing of the Cuban social trial and its dependence on the Soviets, Guevara started concentrating on cultivating transformation somewhere else.
After April , he dropped out of open life. His developments and whereabouts for the following two years stayed a mystery.
It was later discovered that he had made a trip to what is presently the Democratic Republic of the Congo with other Cuban guerrilla warriors in what ends up being a purposeless endeavor to help the Patrice Lumumba Battalion, which was battling a common war there.
During that period, Guevara surrendered his pastoral situation in the Cuban government and disavowed his.
This summer, they seemed to alternate between "fcuk" and that famous image by Cuban photographer Alberto Korda, captured while Che was at a rally in , protesting about counter-revolutionaries who had blown up a Belgian freighter full of Cuban armaments and killed dock workers in the process.
But the image is weirdly denuded of its associations: it is depoliticised and dehistoricised. Now Che is pure image, pure icon.
Even Jimi Hendrix has more context. Walter Salles's fervent, dreamily reverent biopic of Ernesto "Che" Guevara's legendary gap year won't do much to change this.
Here is the epic tour of Latin America he took, as a short-haired year-old medical student, with his friend Alberto Granado, a cheery postgrad in biochemistry, both guys seated astride Granado's spluttering Norton motorbike.
It is based partly on Che's own memoir - originally and unsexily called Travel Notes, later renamed The Motorcycle Diaries - and Granado's book Travels With Che Guevara.
Their ambitious route took them from Guevara's elegant, upper-middle-class family home in Argentina, through the Andes, into Chile, then to the Peruvian Amazon and Machu Picchu, planning to arrive in Venezuela in time for Alberto's 30th birthday.
And all this in no backpackers, no tourists, nothing but the open road, with some lovely landscapes exquisitely photographed by Eric Gautier.